THE ELEGANT WOMAN in the pink silk kimono attracts admiring
glances from be-suited businessmen and elderly Japanese women as
she walks through the narrow, tourist-choked streets leading to
Tokyo's Sensoji Temple. The locals here in the old district of
Asakusa know a real geisha when they spot one — even if she is a
tall Westerner with olive-green eyes. From her rounded bun
hairstyle to her pigeon-toed tabi socks, Sayuki, otherwise known as
anthropologist Fiona Graham, is decked out so immaculately in true
geisha style that her admirers utter the same compliment as she
passes by: kirei desu ne — she's beautiful.
Sayuki denies she's a flawless example of Japan's ancient flower
and willow world. "Being a geisha takes a lifetime to perfect," she
deflects, as she clacks along in lacquer sandals that she wears
slightly too small to make her size-8 feet look more petite.
Sayuki, who was born in Melbourne, Australia, became the first
foreign woman in the notoriously closed profession's 400-year
history to formally debut as a geisha two years ago, in late 2007.
"I've only just begun," she says. "To many of my geisha sisters,
I'm still a walking disaster."
It's all relative. Near Sensoji's majestic red gateway, gaggles of
female Japanese tourists are clad in flowery kimonos — a new retro
fashion trend. Sacrilegiously, they've added lace and frills to the
fabric and wear garish costume jewelry. "Also, they don't wear
underwear. The geisha elders are scandalized," laughs Sayuki, with
only a faint Aussie twang in her girlish voice. "I'm wearing four
layers of lingerie under my kimono, so at least I've got that
right." Flaunting womanly curves is considered vulgar in the
refined geisha realm; the layered undergarments, resembling silk
bandages, ensure a tubular, demure silhouette.
"Geisha are full-time working artists, not sex objects," says
Sayuki, apparently eager to dispel the popular myth that geisha are
prostitutes or subservient, glorified waitresses. As highly skilled
practitioners of traditional Japanese music and dance, she says,
their role is to provide classical entertainment to rich and
powerful Japanese men. The profession originated in the 17th
century in response to male demand for cultured female company.
According to Confucian custom, most marriages were loveless affairs
arranged purely to produce heirs. While licensed courtesans existed
to meet men's sexual needs, geisha carved out a separate niche as
artists and erudite female companions. Their clients today include
politicians, businessmen, and celebrities, who each pay an average
of $400 per hour to attend private banquets and relax in an
atmosphere of nostalgic beauty. "An experienced geisha can converse
knowledgeably on any subject of interest to her clients, from
international trade relations to domestic political intrigue, and
she'll never reveal what was said," says Sayuki.


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