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How to use the Sketchbook/Journal as an
Instructional Strategy; for Standards and Student Performance
Expectations
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Overview of
the Sketchbook/Journal:
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1. Curriculum-Standards/Performance Expectations/Scope and
Sequence:
Use of the
Visual Arts Standards poster in class and small copy in the
S/J
Use artists
work examples for explaining what specific standards
mean
Ex: Andy Goldsworthy
Note
taking
2. Communication: School and
Community:
Invite
principals, teachers/ parents into your room to observe and help
understanding
Newsletters-suggestions for use at home
Value the
process as well as final work
Accountability for you program
3. Display/Performance:
Examples
of Mary’s school show on Art website under Bulletin
Board
Use of
clipboards for displaying Journals
4.
Instructional Strategies for the use of
Sketchbook/Journal:
5.
How to Use Reflective Writing with Art
Students:
Use
of rubric for Short writing –constructed
response
(Grades 4-7)
6.
Art Room Environments for Literacy
Learning
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WITH HIGH EXPECTATIONS FOR QUALITY
WORK
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FOR LOTS OF EXPERIMENTATION AND
CREATIVITY
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ACROSS ALL ART MEDIA
INSTRUCTIONAL STRATEGIES:
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Assessments/
Rubrics: under development
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How do we do this?
What is it specifically you want your students to know from the
assessment?
Types and
considerations:
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Teacher/ student designed
rubrics
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Considerations: student
self-assessment peer assessment
Evidence of Learning:
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Student: grade
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Parents: weekly folders/feedback
(elementary), sketchbook/journal available at conferences
(elementary, junior, senior high) , midterms, report
cards
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Principals, school community: displays,
evaluations (how is this teacher incorporating s/j in scope and
sequence instruction) observations (in class student
usage)
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Community: Displays at school site, art
shows outside of school site with final piece as an artists
understanding of the “process” to final work
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Process: How
to use the Sketchbook/Journal in your
curriculum.
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Note Taking:
historical/cultural, instructional sequence, notes on
demonstrations, vocabulary (accurate), materials, skills, reference
to theme or topic, retelling of information (reference!), a
“grocery list” of needs/thoughts
Sketching/Note
Taking:
visual/verbal
connection, direct observation and reactions in words, research
recording from books, visuals, web, site sketching (gallery,
museum, model, landscape, travel)
Skill-Building Assignments:
media, tools, techniques and skills, brain storm/problem solve for
unique personal style or voice
Media Practice:
wet or dry,
directly in book, (or…template or thumbnail spaces), photo copied
form to be glued in when completed
Collecting Resources:
found objects or resources/references for
work that are glued, taped, held in bags, photos-quick cam,
Polaroids, note taking on how/why (reason) behind
collection
Informal
Critique/Coaching:
teacher/student talking point for verbal, written
discussion in positive/guided manner for feedback as
reference
Written Reflection: Short
Writing/Constructed Response
:
reflecting through sketchbook/journal (or. writing/sketching using
a rubric for the writing skill) gives learners the opportunity to
shape their ideas, create new ideas and transfer, connect
the artist to what they already know.
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ITEMS TO SUPPORT THE
SKETCHBOOK/JOURNAL:
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Sketchbooks: Explore and Store
textbook
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Sketchbooks 300 series Strathmore 9”-12”
50 sheets, 70 pound, spiral on top
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Sketch Diary Sax 411-1084 8 1/2 “x 11” 50
sheets, spiral on the left
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Sketchbooks 400 series Strathmore 9”x12”
100 sheets, 80 pound
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Magnifying Glass 3”
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Prang Watercolor crayons (Prayons) 8
colors
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Contact Paper 18”x25 YD
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Pencils colored
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Supplier's
contacts:
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Diamond Art & Craft--Buster at
1-800-441-0956 VM#214-orders over $400 are shipped free if paid in
30 days. Use a PO# from your school
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Sax Arts & Crafts--Ann at
1-800-362-4729 bid # 20000-28-163AP free shipping
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Sketch Diary 81/2x11 50
sheets
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How To Use Written Reflection with ART
STUDENTS
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Reflection involves looking back on experiences. When used in
art, reflection can serve as a way for students to learn more about
things that are already known in some sense, but will give them
deeper meaning. Reflecting helps to reconstruct, analyze and
evaluate what happened. At a time and place away from the immediacy
of the experience, these mental reconstructions are converted into
written form. The use of the Sketchbook/Journal is an ideal place
to record the reflections.
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Teachers must structure and guide this introspection by giving
written assignments that guide and focus the process. Avoid
questions that ask for “yes” or “no” answers, encourage them to
elaborate, consider asking:
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In what ways did you take risks with your
work?
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How important were the planning and
preparation phases of the lesson?
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How well did you understand the teacher’s
expectations and directions?
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What were the three biggest or most
important choices you had to make?
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What Problems did you experience? How did
you solve them? What personal strengths did you use to deal with
them?
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What ideas or suggestions did you get
from your classmates?
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What possibilities or ideas for future
work did you get from the results of this lesson?
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What role did critiques play in shaping
your ideas about your work?
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Assessing Reflective Writing:
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Rubrics can be used to identify different
levels of quality in reflective skill as well as in writing from
excellent to poor. Included are rubric examples that are used for
the CSAP testing and we need to use the same criteria. There
are examples for all three levels and it would be useful to
duplicate a copy for each of your students to be included in
their Sketchbook/Journal for instructional reference and final
assessment. (Find them under the CASP support
area)
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How important is correct spelling and
grammar?
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Grades 4-7: Short
Writing/paragraph: correctness is not as important as the students
writing with good organization, ideas and concepts.
High School: Short Writing/paragraph:
correctness is very important and to get a 4 the work would have to
be error free.
What does that mean for us? Always
present high expectations for the student to do it as well as they
can. Use a dictionary, spell check, and work with the language arts
teachers to help with grammar correction. If students are expected
to copy words from a resource in the room, make sure they are
writing it correctly.
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Most important is to get them to
write!!!
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ART ROOM/STUDIOS
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ENVIRONMENTS FOR LITERACY LEARNING
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Your teaching space should be rich in visual images, as well
as words. Displays should be ordered and easy to read and follow,
not cluttered or put up just to have a poster or image covering
space.
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Plan areas of the room for various
purposes:
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Daily instructions
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Permanent posters-classroom standards,
procedures
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Emergency exits and safety
signs
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Changing Resources- visual and verbal,
thematic, media and techniques, skills, etc.
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Clear, large lettering on
posters/visuals
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Written/Drawn Instructions-steps for
technique or task-students will read and then write/draw them into
a sketchbook for reference
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Thematic, cultural, historical images
for resource
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Maps for reference
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Vocabulary area- Word wall, words on
strips to be moved as needed
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Labels on equipment, storage,
supplies, organized boxes, folders or containers (connects the item
to the word)
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Chart paper on easel-A sheet for
each class that states the performance expectations aligned to
standard/benchmarks being covered. Procedures and steps in
instruction, vocabulary words, references to supplies, timeline,
etc.(a wonderful method that is used by Laurie and John
Counterman in their classrooms, that enables you to have detailed
information for students, subs, and parents that is permanent, but
easy to store and manipulate in elementary classrooms that do not
have enough wall space.)
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Overhead Projectors/Monitors used for
projecting visuals and instructions for students.
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** Those of you that have large second language populations
should have added signs for more important information in the
languages your students need. Ask your ESL teacher for
help.
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